I use a blend of stoneware clays specifically formulated for construction of kiln fired, large-scale sculpture. I wedge (or mix) the moist clay - then roll slabs - approximately 3' x 2' x 3/4". Sections of clay slabs are assembled to the approximate shape of the final sculpture. The clay form is then trued by grading. Final smoothing of the surface prepares the piece for the line work and textures which are applied "free hand" based upon my creative intuition. The sculpture is dried slowly over a period of several weeks to several months depending upon the size. The dried piece is then slowly fired (several days) in an electric kiln (approx. 2,100 degrees F). The result of the firing is a bisque sculptural form that has a stone-like hardness, strength and consistency. I apply multiple coats of liquid glaze (powdered glass frit and chemicals mixed with water). I hand-brush and air-brush depending upon the requirements of the specific glaze. The glaze particles at this temperature liquify and transform into the desired colors. The firing (melting process) results in a permanent, thin shell of colored glasses fused to the surface of the bisqued clay. My surface may also include the use of "cold-colors" such as oil-based stains, pastel, paint, and, or graphite which are sealed with clear urethane.